Bibliografia
KELLER, Hermann: Thoroughbass Method: With Excerpts From the
Theoretical Works of Praetorius, Niedt,
Telemann, Heinichen, J.S. and C.P.E. Bach: NY, 1959.
WILLIAMS, Peter: Figured Bass Accompaniment, Volume 1. Edinburgh: University Press of Edinburgh.
WILLIAMS, Peter: Figured Bass Accompaniment, Volume 2. Edinburgh:
University Press of Edinburgh.
PALISCA, Claude: Baroque Music. New Jersey: Prentice
Hall, 1981.
CANDÉ, Roland de: História
Universal da Música. São Paulo: Martins Fontes, 1994.
GROUT, Donald e PALISCA, Claude: História
da Música Ocidental. Lisboa:
Gradiva, 1998.
BROWN, Howard Mayer
e SADIE, Stanley: Performance Practice;
Music After 1600. Nova York: Norton, 1989.
DOLMETSCH, Arnold: The Interpretation of the Music of XVII
&XVIII Centuries. Londres: Novello, 1946.
BERRY, Wallace: Structural Functions in Music. Nova
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SALZER, Felix e
SCHACHTER: Carl, Counterpoint in
Composition. New York: Columbia University Press, 1989.
RENWICK, William: Analyzing Fugue. Stuyvesant (EUA):
Pendragon Press, 1995.
HASKELL, Harry: The Early Musical Revival: a History. Londres,
Thames and Hudson, 1988.
MANN, Alfred: The Great Composer as Teacher and Student. Nova York: Dover, 1987.